Subscribe to D2D magazine and newsletter for free.
All fields are required

Analyst blasts disc-less UltraViolet

The UltraViolet initiative (the online digital library that frees you to choose how and where you want to enjoy your movies and TV shows) has come under attack with the recent Paramount activity on that front. According to one analyst, pricing strategies indicate that studios are paying only lip service to digital delivery, and their interests remain firmly rooted in physical media.

Paramount recently released Paranormal Activity 3 as an all-digital version so that there is no need even to buy a disc, and launched ParamountMovies.com where consumers can access digital rights to UV content directory with the studio. “On the ParamountMovies.com website, a recent movie from 2010 costs $22.99 to buy rent in HD, yet a movie that is thirteen years old is only $3 cheaper and still costs $19.99,” Frost & Sullivan analyst Dan Rayburn fumed in his StreamingMedia blog.

According to Rayburn, the studio’s digital pricing strategy will alienate consumers: “What studio executive thinks consumers are going to pay $22.99 to stream a movie when we can buy the DVD for $7 or rent it for less than $2?” he asks. “The economics don't make sense for how the studios price digital content and the fact they are keeping Netflix and others from even renting physical discs, only so they sell more DVDs, clearly shows where their true interest lies - and it's not in digital.

“At some point, the studios are going to get burned just like the music industry did and while they spend a lot of time complaining about piracy, they need to wake up and realize that consumers are demanding digital content, for a fair price. So far, the studios are not willing to give it to them and over time, are going to see their business models crumble as of a result. They own arrogance is going to be the death of their legacy business.” For more facts and opinions on the UltraViolet initiative, read the article in Issue 13 of Digital2Disc and on our website.

www.digital2disc.com

Comments

Current Issue

Cover image of latest issue

Magazine Features

DOING IT IN DIGITAL - Repeating the physical success of home entertainment

Fireside chats, rock star moments, and consumer panels were the highlights of this year’s PEVE conference, and D2D reports on some of the many topics covered at the event.

Every conference has its rock star moment, and this year’s PEVE was no exception. Danny Kaye, keynote speaker on the first day, took to the stage to the rousing strains of Led Zeppelin’s Whole Lotta Love, which brought goofy smiles to just about everyone (at least everyone of a certain age) in the audience. Kaye, the EVP Global Research & Technology Strategy, Twentieth Century Fox, showed a video clip of some of Hollywood’s latest and greatest movie moments and declared, “It’s this kind of content that compels consumers to buy.”

Continue reading »

Reducing seasonal susceptibility - The merger of two packaging giants

AGI Media was bought by Atlas Holdings last year, changed its name and identity and then merged with Shorewood. Tony Garnish, European CEO of AGI Shorewood, tells Elizabeth Toppin how the company has overcome various associated challenges – but isn’t yet ready to reveal a new name.

Continue reading »

LINES OF DEMARCATION Old and new technology models at NAB

This year’s NAB event focused on looking forward to 3D, second screens, and Smart TV - whatever the heck that is, Dan Daley muses. New technologies offered a refreshing focus after a year spent on seemingly endless legal and legislative issues.

The NAB Show in Las Vegas (16th-19th April 2012) showed decent stats: exhibitor numbers rose slightly to just over 1,600 and they splayed out over more space (815,000 square feet versus 745,000 in 2011). Attendance was flat, though, at 91,932 from 151 countries, according to NAB’s preliminary figures, and substantially below the 108,000-plus who attended in 2007, just before the recession hit.

Continue reading »

DIGITAL OR BUST IN VEGAS? The physical media market under scrutiny

A realization that maybe it’s time to figure out a way to jump on the digital bandwagon dominated the proceedings at Packaged Media & Beyond 2012, reports Larry Jaffee.

Maybe it was the Association of Independent Media Manufacturers Association (AIMMA) joining forces with the Media-Tech Association (MTA) and the Colonial Purchasing Co-operative to produce a US show like the latter did in the two previous years. Or maybe it was the zany Day Two keynote presentation by Troma co-founder Lloyd Kaufman whose oldest running US independent movie studio has been making independent, non-mainstream movies for nearly 40 years.

Continue reading »

HOORAY FOR HOLLYWOOD - Paramount and Universal Turn 100

Two major studios celebrate their centenaries this year and a lot has changed since they were both founded. Jill Bilzi looks at how they are coping with box office fluctuations, changes in home entertainment delivery, and the increasing power of social media.

Paramount Pictures and Universal Studios, which brought us iconic and unforgettable movie characters like The Godfather, the adorable extra-terrestrial E.T. and the great white shark in Jaws, both turn 100 years old this year. The two studios are celebrating their centennials in much the same way: new logos, restorations of classic titles and consumer sweepstakes and promotions all year long.

Continue reading »